Archive for September, 2009

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Graphic Ad: Nikon Camera

September 29, 2009

This is my graphic ad for Nikon cameras. I made up the slogan, it is not part of the company.

Nikon Graphic Ad

Nikon Graphic Ad

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Photographer Spotlight: John Shuptrine

September 29, 2009

John Shuptrine is a black and white photographer originally from Toledo, Ohio. He is self-taught, and has about thirty years of experience. Shuptrine focuses on abstract, close-up pieces, and landscapes. He says he likes to focus on the “light and beauty of our world.” At the 2005 and 2008 B&W Magazine’s Single Image Contests, Shuptrine has taken home two golds and one silver award. He has also won numerous awards from local shows, one of them being Best in Show at the Lynchburg Fine Arts Center. John has gallery and commercial shows in Lynchburg, Charlottesville and Roanoke, Virginia.

Tv_Land.sized

TV Land 2 - B&W Magazine's Single Image Contest Award Winner 2008

Shuptrine won a silver award for this photo capturing the objects in an abandoned room. The picture uses unequal space by displaying more of the wall on the right side. The composition is split up where the two destroyed walls meet. The symmetry in this photo is seen in the open space that is framed by the television frame and the window frame. The leaves on the ground are there to compare the textures and patterns seen on the walls and in the objects. The mattress pieces unify the picture and fill up more unequal space.

Cathedral Lake Sunrise, Yosemite National Park

Cathedral Lake Sunrise - Yosemite National Park

In 2002, Shuptrine traveled to Yosemite National Park to take a series of photographs. Cathedral Lake Sunrise is one of Shuptrine’s most notable works. He captured the natural height of the trees by comparing them to the height of the mountain. One assumes this rocky hill or mountain is tall by the way Shuptrine cropped the picture. There is no way of knowing how tall the background is, but one assumes it is tall because it did not fit in the composition. The split between land and water splits the photo’s space up. Shuptrine was able to fill the water space by capturing the reflection of the land.

DC Escalator - Washington, DC

DC Escalator - Washington, DC

Shuptrine has taken photographs in Virginia and Washington, DC. This photo is from a Metro escalator. The sides of the middle escalator contain the reflection of the top of the metro structure. Although professionals say not to have something in the middle of the photo, the escalator works here to help define space in the rest of the photo. Having the light shine in from outside the building breaks up the composition in the piece. The point of view in the photo causes the viewer to think of a “light at the end of the tunnel.” The escalators get narrower and narrower until it looks as if the sides of the escalator are merging together.

My Replica of DC Escalator by John Shuptrine

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DC Escalator - Washington, DC

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Shinto Japan

September 15, 2009

1. What are the main visual design elements that define the culture or time period? Look at Clothing, Architecture, etc. (5 examples)

Architecturejapan_goldenpav.lg

http://www.artlex.com/ArtLex/ij/images/ japan_goldenpav.lg.JPG

This Japanese structure contains daring designs and shows Japanese as well as Chinese influences. From the elements of design, you can see lines and two-dimensional forms, as well as patterns and textures. Color also plays an important role in order to separate the structure from the background.

This picture shows distinct lines in the clothing that make the garb look as though it is 2-dimensional, even though it is obviously 3-dimensional. The clothing is all white, which shows purity and devotion to the religion. This particular picture was taken from a Shinto wedding, which also makes sense in terms of the white garb. There is contrasting texture in this outfit, as well. The clothing is very sleek and clean while the hat looks rough and bumpy. All in all, the outfit has balance in it, as it is very symmetrical.

Paintinghttp://www.metmuseum.org/works_of_art/images/as/images/asJP1847.R.jpg

http://www.metmuseum.org/works_of_art/ images/as/images/asJP1847.R.jpg

This picture shows their depiction of certain natural disasters and how much respect they have for it.  Being an island nation, the ocean plays a huge role in their daily life, and this piece of art depicts how much nature occurs in their lives. Movement and color is very prominent in this painting, as the viewer can almost see the waves moving and crashing, while the color sets a very dark and ominous mood making the water supreme.

Sun Goddesshttp://4.bp.blogspot.com/_YVK9luYdliA/SfJ_XcqGjvI/AAAAAAAAGj0/HiDD8FmmTzI/s400/12+amaterasu-no-kami.jpg

http://4.bp.blogspot.com/_YVK9luYdliA/SfJ_XcqGjvI/ AAAAAAAAGj0/HiDD8FmmTzI/s400/12+amaterasu-no-kami.jpg

In this picture, the sun goddess, Amaterasu, is wearing white, like in the picture before. Again, this color shows purity and devotion to the religion. This image shows an emphasis on the red sun in the background in relation to Amaterasu’s head, giving her a halo-like look.

Japanese Empire Flaghttp://img.photobucket.com/albums/v290/Mariyuko/Japanese_empire_flag.png

http://img.photobucket.com/albums/v290/Mariyuko/ Japanese_empire_flag.png

This example shows the Japanese flag.  Flags, in general, sum up an entire culture of a people in one picture.  The Japanese flag shows a picture of a rising sun, which shows how important nature is to their culture.  In the elements and principles of design, it shows lines and unity.  The lines show the power the rays of the sun has on the people, while the unity is the unity of the people, culture, and beliefs all in one picture.

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2. How AND why were these elements used during the height of the culture?

Elements and principles such as lines, 2-dimensional form, emphasis, unity, movement, etc, all tie in to the concept of a clean yet powerful statement in Japan during the Shinto religion. The lines and 2-dimensional form show a cleanliness and structured look, showing order in the culture and religion. In the pictures of the white clothing and the architecture, both display a sense of control and order in its looks. Both have distinct lines and points that emphasize the simple and clean organization of the style. The images of the Japanese flag and the sun goddess show lines, unity and emphasis. The lines are obvious – they are the lines of the rays – and the unity, especially in the image of the flag, shows the whole picture coming together in one statement to show power and control. In terms of emphasis, the sun goddess picture has the sun right behind Amaterasu’s head, giving her a halo-like look, which makes her seem very powerful. In the image of the wave, that shows movement in its power. Basically, all of these elements were used in this time period to show the power and control Japan had during the Shinto religion.

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3. What visual references or examples in our culture today come from that time period? (3 examples)

Manhattan SkyscrapersManhattan

http://www.grahamowengallery.com/photography/ images1/Manhattan.jpg

In today’s American culture, the skyscrapers of New York City serve as a good example of the architecture from Medieval Japan. Both types of architecture can be described as tall, daring, and complex.

Clothing in Weddingshttp://www.elvispresleynews.com/images/LisaMarieWedding.jpg

http://www.elvispresleynews.com/images/ LisaMarieWedding.jpg

This shows Americans, Lisa Marie Presley to be exact, engaging in a wedding using traditional Japanese influences during the ceremony.  She is wearing a traditional komono, bringing the culture of that time period into the much westernized modern day culture.

These Vans shoes are a perfect example of how the Rising Sun plays a role in American culture today. The rising sun symbol is often seen in the punk rock and skateboarding scene. Some countries find this symbol offensive, but in America, the Rising Sun is just another symbol in society.

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Critique:

Japan was isolated from the world for a long period of time before the 19th century. During this time, Shintoism played an important role in the developing the cultural designs depicted in American culture today. It is said that China played an important role in the development of Japanese art and design, but not until Buddhism reached Japan in the late 6th century. It is logical that China had the biggest influence on Japan because China is the closest country to Japan.

The biggest principles of elements and design seen in Shintoism are the use of lines, 2-dimensional form, movement, unity, and color. Shintoism also focuses on nature and the divine spirits of the gods. The religion was considered divine up until the end of World War II. Symbols from the Shintoism can be seen today in American cultures, but other countries consider the symbols inappropriate. This is because symbols, such as the rising sun, were associated with the Japanese military during World War II.

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The Hirshhorn Museum – Elements and Principles of Design

September 7, 2009
PointMiró “Painting (Circus Horse)” 1927

Joan Miró “Painting (Circus Horse)” 1927

Miró’s painting consists of at least six points. The three points in the upper left of the painting are often connected by people to make a triangle. This is an example continuity, because by making a triangle, a person is having a tendency to “connect the dots.”

LineFernand Léger "Still Life:King of Diamonds" 1927

Fernand Léger "Still Life: King of Diamonds" 1927

In Léger’s painting there are a number of different kinds of lines. All of the lines work together to create a range of forms and objects. Lines that are seen in this painting are deep curves, shallow curves, horizontal and vertical lines, and edges.

FormEdward Hopper "First Row Orchestra" 1951

Edward Hopper "First Row Orchestra" 1951

The painting above is a great example of form because it defines two people in a theatre. You can tell that the two people are in the front row because the stage is right next to them. You can also tell that the man is sitting to the right of the woman because Hopper painted the woman overlapping the man, which is another way to define space.

MovementSol LeWitt “Wall Drawing #356 BB: Cube without a cube” 2003

Sol LeWitt “Wall Drawing #356 BB: Cube without a cube” 2003

LeWitt’s painting is an example of movement because it causes your eyes to move statically. Since your eyes jump and hop when viewing this painting, the painting creates a sense of movement. This type of movement is called implied movement because nothing in the painting is actually moving.

ColorEllsworth Kelly “Red Yellow Blue V” 1968

Ellsworth Kelly “Red Yellow Blue V” 1968

The three colors in this painting are all painters primaries. These colors will not mix together to create a clear green or purple, but they can mix together to create similar colors. The proportion of the colors are off balance, since red is the largest and blue is the smallest.

PatternYinka Shonibare "The Age of Enlightenment-Antoine Lavoisier" 2008

Yinka Shonibare "The Age of Enlightenment-Antoine Lavoisier" 2008

SN851730

Shonibare’s mannequin displays cloths that contain numerous examples of pattern. The patterns aren’t natural ones seen in nature, but they organize the shape of the cloth. Some of the patterns here create optical illusions, while other patterns display a solid color.

TextureJean Debuffet "Crossed Arms" 1955

Jean Debuffet "Crossed Arms" 1955

SN851698This canvas consists of only oil paint, but it gives off the texture of bristly, rough, and hard. It looks as though the painting has been made with leaves, tree bark, and the skin of a bison or cow. Through these fake materials is an etched-in man with his arms crossed.

BalanceMagdalena Abakanowicz “Four on a Bench” 1990

Magdalena Abakanowicz “Four on a Bench” 1990

This sculpture provides a good example of balance mainly because the “bench” is being balanced on two round pieces of wood. The four bodies on the “bench” are expressing formal balance with approximate symmetry. This means that the sides of the “bench” are equivalent, but not completely equal.

ProportionLouise Nevelson “Silent Music IX” 1964

Louise Nevelson “Silent Music IX” 1964

This wood piece displays the relationship between the parts and objects that create this art. There are mirrors in some of the compartments in order to display the blank space behind the wood piece. This gives the piece more definition and shows the proportion of the wood and the rest of the cabinet-like structure.

RhythmRobert Smithson “Gyrostasis” 1968

Robert Smithson “Gyrostasis” 1968

This sculpture creates a sense of rhythm by creating a wave like structure. The pattern the piece gives a sense of time. The effects of the pattern and the shape of the structure provide a timed movement of a “crashing wave.”

EmphasisRobert Motherwell “Elegy to the Spanish Republic No.129” 1974

Robert Motherwell “Elegy to the Spanish Republic No.129” 1974

Motherwell’s painting shows a row of black oval-shaped objects. Although the eye wants to make a row, the pattern is broken by the second quarter of the painting. This quarter takes all the attention, and is therefore the emphasis of the piece of art.

UnityAndy Warhol “Marilyn Monroe’s Lips” 1962

Andy Warhol “Marilyn Monroe’s Lips” 1962

Warhol’s work here shows many different elements and principles of design. The most important attribute of the painting is the pattern because it gives the strongest sense of unity. By having lips repeating one after the other, the pieces become united as one work of art.

Overall PieceCarmen Herrera "Rondo (Blue and Yellow)" 1965

Carmen Herrera "Rondo (Blue and Yellow)" 1965

This piece displays 5 elements (point, line, form, color, and pattern), and 3 principles (balance, proportion, and unity). The piece may look simple, but it is composed well by inversing the colors over a central axis making the painting bilaterally symmetrical. Simple shapes are also used in the painting to create edges and lines, and to give a sense of proportion to the surrounding space. The primary colors in this piece represent sunshine and optimism (yellow), and coolness and distance (blue).

Alberto Giacometti "Tall Man" 1947

Alberto Giacometti "Tall Man" 1947

The Hirshhorn Museum was a great experience for being able to actually see the art that the class has to critique. Some of the pieces were recognizable from books and pictures, such as the Tall Figure by Giacometti. The Hirshhorn didn’t have the best collection, but the exhibits were enjoyable. My favorite was the Walead Beshty exhibit because it took a new perspective into what can be done with different tools other than a paintbrush and a canvas. My least favorite were the Andy Warhol paintings because his art is now printed on everything, so seeing it in a museum isn’t as exciting.

Andy Warhol "Self-Potrait" 1986

Andy Warhol "Self-Potrait" 1986